briefcase installation
My mini installation contained in a briefcase and mounted within an upturned plinth was a magnetic medley comprising various elements, many suspended via rare earth magnets.
A pop-up white cube on the upper level houses an installation of micro proportions. A linen board lying on the floor, painted with magnetite, holds 6 magnets. Above this, a pair of drawing compasses is suspended, quivering as it is pulled in all directions. A mirror sits behind, but its’ angle distorts and the gaze is directed away with the reflection to the front of the cube. There, a box and a bag have magnets suspended midway up their faces, held only by the black dust within. On the walls of the cube are 2 small black paintings, revealing faint traces of their making history. On the floor of the briefcase lies a tally counter, ready for each visitor to check themselves in.
On the lower level, the installation has left the briefcase. On the wall is a tiny painting. Small black spikes protrude from a circular motif, the paint has solidified whilst seeking the magnet which helped to form it. Nearby, a dart with a black flight is suspended precariously from the fine point of its tip. It’s shadow is cast on the wall behind. Below magnetic powder is strewn on the floor, slowly creeping towards the neodymium magnet abandoned there.
On the other side of this “room” a series of magnets hang from black threads, beneath them is a network of rough shapes, shards of textured black earth, remnants from another painting; magnetic lumps that join and support each other whilst threatening to collapse at the same time.
I enjoyed the suitcase as a gallery space and an opportunity to install a micro version of what would otherwise be quite a large, complex installation. There was a freedom to explore within that format. The installation takes on a traditional white cube feel but it is subverted by using an upturned plinth. The plinth comments on the absurdity of elevating artwork to a higher level, it also creates 2 rooms, one above the other. This made me think about how a room could be changed or sectioned to incorporate different levels. Beyond the more sculptural elements hanging or displayed in the white cubes, there are items such as a tally counter, for visitors to check themselves in thus avoiding the gallery becoming overcrowded. I enjoyed playing with the ‘Alice in Wonderland’ ridiculousness of that concept in this context.